Several months back I wrote a blog post about using Julia Cameron’s concept of the Morning Pages (from her book The Artist’s Way) as a form of regular journaling. As I noted then, I began to develop this practice not long after finishing my dissertation as a means of self-care in that confusing landscape post-dissertation life. I’ve since received a number of inquiries about the Morning Pages. Do I still use them? How do they work? How are they helpful?
Although I have offered of basic thoughts to people one-on-one, I don’t feel like I’ve fully explained how I still find them useful. This is partly because they have become so routine that I hardly think about them anymore. The Morning Pages are part of a comforting morning ritual that happens before my child gets up. I write them (almost) every day, always with a cup of coffee by my side, and usually on my couch with a blanket draped over me (it’s still chilly here in the PNW!).
Sometimes when people ask I feel like I can only explain their value to me as much as I can explain why I always drink that coffee from the same mug. That’s the other reason I trip over explanations: the Morning Pages are personal. Once you start to do them regularly they can feel like an old friend – and like an old friend, for each person, they’ll provide a different kind of value. Still, there are common features to the Morning Pages that make them broadly useful – as I remembered once I went back to Cameron’s book as I was preparing to write this post. What follows are some of the main reasons they are one of my go-to morning rituals. Continue reading “There’s No Wrong Way to Do the Morning Pages”
For the last week, I have been busy working on a new business project with my husband called Super Nature Adventures that I plan to launch this month. This project stems from my lifelong love the outdoors and will feature monthly subscriptions of adventure packets. Each will focus on a different family trail in the Pacific Northwest. This has all been very daunting, but also very exciting, especially in the last few days as we’ve been smoothing out the final details for the project. Yet at the same time, my teaching still lingers in the background. Just this week, I began teaching a class that will likely be my last one as an adjunct on a topic related to my dissertation, no less.
It would be an understatement to say that this juggle been a challenge, and not only in the ways that I had expected when I laid out this game plan to make sure I had some income while I was working on the business launch. I knew that juggling two kinds of work would be stressful, and I had anticipated such common challenges as learning a new culture. What has caught me off guard is the emotional work of this juggling act. I am at the starting point, but also must attend to the closure of a chapter in my life. This simultaneous process of closure and change has brought forth emotions that had been lying dormant since I first walked across that stage to be hooded for my PhD. And yet simultaneously I am so so eager to move on. Each side of this equation comes with so many competing emotions that some days I feel like I am having an identity crisis.
Continue reading “Emotional Juggling Act”
It’s March, and along with Women’s History Month and International Women’s Day, this month also marks the second year for the feminist art history hashtag campaign known as #5womenartists. The campaign invites you to think on how quickly and easily you can list 5 women artists. While naming 5 women artists isn’t hard for me (I teach a class on Women in the History of Art), I suspect there are many out there who might have some difficulty. Why? Well for starters, women make up only 9 percent of the artists represented in the most widely used art history survey textbook, and only 5 percent of the
artists represented on museum walls. What’s worse, is the inequities apply to contemporary art as much as art history. This recent sticker created by the art action group the Guerrilla Girls makes this point clear. Even in 2015, men have almost total control of the art market.
The campaign was created last year by National Museum of Women in the Arts (NMWA). The folks there saw it as a starting point towards positive change As NMWA director Susan Sterling explained at Big Think last year:
“By calling attention to the inequity women artists face today, as well as in the past, we hope to inspire conversation and awareness.”
Continue reading “The #5womenartists Campaign for Women’s History Month”
This May will mark my second #withaphd anniversary, and with it, the second year since I began to move away from academia and towards some kind of postac life with a PhD that has nothing to do with teaching or academic research. While I still currently work as an adjunct instructor, much as changed since the day I crossed the stage to pick up that diploma.
For one, I am no longer in that immobilizing period that is often called post-dissertation slump or post-dissertation blues. I am at home with myself in the space I am now, and I am comfortable talking about why I am leaving academia. Moreover, behind the scenes, I have been working on a business that (fingers crossed) I hope to launch this spring (when I get there, I promise to write about it).
In this blog post, I want to share some tips and tools that have helped me over the past couple years as I have transitioned from uncertainty towards a spirit of exploration and potential. I learned many of these tips from others that came before me, and I write in spirit of helping all those who might where I was a couple years ago. Continue reading “From PhD to Here: Towards a Life outside of Academia”
A few weeks ago in early January, I was having a conversation on twitter with fellow PhD Lisa Munro and others about the importance of practicing joy in 2017. Yes, joy. Yes, now, of all times. Lisa wrote an excellent blog post on this subject, where she discusses establishing joy as part of her New Years intention, and the quiet power of practicing joy “in the middle of such terrible things.”
Here’s a gem from the post about practicing joy – but don’t stop here. Go and read the post for yourself:
“Joy requires being present. Like, really present. There’s no way to find joy while distractedly scrolling through Facebook while reading tabloid headlines in the grocery store and secretly wishing ill on the person in the express lane with 32 items. Joy requires our full attention.
Joy requires great vulnerability. It doesn’t seem possible to be worried about looking cool and experiencing joy at the same time. JOY requires letting go of what we want people to see in favor of experiencing something genuine and being real about it.”
I have also been thinking a lot about joy this year. Like Lisa, I usually choose words instead of specific resolutions to start every new year. And like Lisa, joy was one of my words. However, until reading her post and talking to her about joy as a practice, I hadn’t developed any useful tools to help me focus on this theme for this particular year. After several of us shared our tips in our twitter conversation, I decided I needed to start a gratitude journal. I have been using it every single day since. Continue reading “Some thoughts on Joy, Resilience, and Practicing Gratitude”
Hello all, and goodbye to 2016. This week, I have the honor of being the last to post at Smart Women Write before we all take a break until the New Year. For this momentous occasion, I have decided to share some art works by women that have resonated with me as of late, as we go into the New Year. We need strong women in our lives, more than ever. And we need art. These are a few of the many art works that have moved me this term by the way of their incisive messages. So consider it a holiday gift of sorts: a small collection of art works that each, in their own way, urgently confront the challenges we face today. Continue reading “Smart Women Make Art: Five Urgent Works for a New Year”
This fall term, in my capacity as an adjunct instructor, I have been teaching an upper-level course of my own design called “Sex, Gender, and Politics: Art in the Age of AIDS, 1980-Present,” that centers on several overlapping units tied to themes of race, gender, sexuality, censorship, and civil liberties as they pertain primarily, though not exclusively, to arts and activism engaged with the AIDS epidemic in the late 1980s and early 1990s. Although I knew this class would be timely when I developed it months ago, I never imagined how meaningful it would become throughout this election season.
In the last two weeks since Trump was elected, especially, it has emerged as something of a lantern in the dark tunnel of the post-election landscape. Over and over, I’ve turned to the class material for inspiration, drawing from the reservoir of artists, activists, and political events that I’ve been studying and teaching to help me find the words (beyond some profanities) to speak to my emotions and evolving ideas.
In this post, I want to talk especially about I how looked for guidance from this class for teaching both of my classes the first days after the election, when emotions were at their most raw. Continue reading “Finding Guidance in Activist Art History”