Creation & Curation: The Fort Negley Oral History Archive

Drinking from the rooftops of certain honky tonks in downtown Nashville, you can spot one of the nation’s most important, yet underappreciated sites for African American history: Fort Negley, the Union Civil War fortification on St. Cloud Hill. Many tourists have no idea what it is they are looking at.

The fort was built in 1862, using a combination of forced labor of enslaved Africans which the Union army in Nashville had rounded up from nearby plantations, and free blacks of Nashville and the surrounding areas, who offered their services in exchange for payment (much of which never materialized). There were also contraband workers- people from all over the South who fled their enslavement and sought out the protection of the Union forces on St. Cloud Hill through volunteering their labor. Once built, the fortification was defended by various regiments of the United States Colored Troops against the Confederate forces. Both builders and defenders died in record numbers at Fort Negley in the defense of our union.  Recent ground-penetrating radar reports have indicated a high likelihood that their remains still lie on the grounds of Fort Negley Park.

After the war, those who survived settled the nearby historically black neighborhoods of

Reenactors2017
Reenactors Bill Radcliffe and Gary Burke, descendants of soldiers who fought with the United States Colored Troops in the Civil War, stand at the base of Fort Negley, December 2017.

Chestnut Hill, Wedgewood Houston, historic Edgefield, and Edgehill. At the turn of the century, several prominent families from these neighborhoods founded North Nashville and all of the prestigious black institutions residing there- the historically black colleges, businesses, and churches. In the 1950s, these same institutions trained and supported some of the sharpest minds of the Civil Rights movement. There is a long and unbroken connection between the builders and defenders of Fort Negley, and Nashville’s current African-American population. Many members of this population see the fort as sacred, and they memorialize it with ceremonies, oral traditions, and historic reenactments.

Recently, Fort Negley has received national coverage due to a highly controversial development plan that would jeopardize the site and disturb the final resting place of the builders and defenders of the fort. Many take exception to the development for a wide variety of reasons beyond historic (questions concerning who was granted the development and why, the ethics of selling off city land to private developers who stand to profit from it,  how it exacerbates unfettered gentrification in a rapidly-expanding city, etc.) Continue reading “Creation & Curation: The Fort Negley Oral History Archive”

8 Things to Consider when Organizing Your Digital Humanities Writing Group

I do so much work with Digital Humanities for my position. So much. But do I ever write up any of that and submit it to publication? Ha, nope.

I write everything else of course, and this always falls to the back burner. And I’m willing to bet that sadly, I am not alone. How many of you do cutting-edge work in whatever field you happen to be in, and then put off the writing for summer, or for next year, or for when you get that research leave, or or or?

We all know this is a major missed opportunity for critical reflection, for peer feedback, and for collaboration. Fortunately, Rebecca Panter, another postdoctoral fellow, felt the same way. So we made 2016 the year we did something about it: we started the Digital Humanities Writing Group for faculty and grad students on campus who found themselves always doing and never writing it up. And as anything worth implementing is worth implementing well, we slapped an ambitious goal onto it: each of our members will have a complete journal article or manuscript chapter finished by the end of the Spring 2017 semester.  

It’s a lot, but it’s also doable, and I think that is one of the main draws of the group. Just like you eat an elephant one bite at a time (well, I don’t. I hope you don’t, either. We don’t have enough of them on this planet for you to be making them part of Taco Tuesdays.), you write an article one page at a time.

As you can imagine, there are specific considerations to keep in mind when the group is academic, interdisciplinary, DH-focused, and comprised of both grad students and faculty. And that’s without the normal struggles that come with forming a writing critique group. Here’s what we’re doing to increase our chances of success: Continue reading “8 Things to Consider when Organizing Your Digital Humanities Writing Group”

The (somewhat uncomfortable) Process of Digital Storytelling & Teachable Moments

This post is Part 2 of a series on the Mellon Institute of Public and Digital Humanities. A special thanks to Allison Myers, Ryan Trauman, and Marie Lovejoy at the Story Center. For part 1, please click here.

I didn’t know anything about digital storytelling  when I walked into the Story Center’s workshop as part of the Mellon Institute of Digital and Public Humanities. I thought it was maybe something like an audiobook, or a video of me, telling a story. No big deal, I thought. As a historian, I pretty much write and tell stories for a living.

But then the story specialists at the Story Center taught the other institute participants and I *how* to write a script for digital storytelling, and I began eyeing the door. Not because it was too big or difficult, but because it was so small and succinct. How was I going to tell a full story worth hearing in fewer than 250 words? I’ve probably written longer sentences than that!

The other Mellon Institute participants struggled with this concept too, which I found very  encouraging in its own way. While it’s good to provide context and delve into a subject fully, verbosity often has the effect of hiding, instead of revealing an emotional truth. No one at the institute was going to breeze through this workshop, and if they were going to be brave and bare their souls, then so could I.
Continue reading “The (somewhat uncomfortable) Process of Digital Storytelling & Teachable Moments”

When the Public meets the Digital Humanities

This blog entry is part 1 of a two-part post reflecting about my experiences with the Mellon Institute in Digital and Public Humanities.  Please click here for part 2.

This summer, I signed up for the Mellon Institute in Public and Digital Humanities at the Vanderbilt Curb Center for Art, Enterprise and Public Policy. (#VandyPDH) While I’m usually very type-A, I was running on empty and didn’t have time to form any goals or expectations going in beyond learning all the things. This lack of specific goals for the workshop turned out to be a major lesson in being open to unexpected partnerships and projects that form organically. It would hold the seed of  creating an experimental class for Vanderbilt undergraduates interested in Digital History. More on that below. Continue reading “When the Public meets the Digital Humanities”