Most of you know that among many of the hats I wear, one of my favorites is director of the Fort Negley Descendants Project, a digital humanities archive of oral histories from the descendants of the enslaved and free blacks who built and defended Nashville’s Civil War Fort Negley. My team of three films the interviews, researches their testimony to find additional resources, edits the footage, uploads it, creates content, and maintains/updates the website which gives you more information about the interviews, as well as information pertaining to the UNESCO Slave Route site of Fort Negley, and its unique role in shaping our nation’s history. We also occasionally put on events and screenings of the videos for the public.
It’s a ton of work, and I love doing this, and feel grateful to be able to do it alongside my job as postdoctoral fellow for Vanderbilt’s school of Arts & Sciences. It’s been humbling to be trusted with people’s family histories, and to hear their pain, share their triumphs, and help amplify their voices in a city whose demographics are rapidly shifting as gentrification pushes black people to its peripheries.
Analyzing the stakes others have in this project has been useful for keeping our team on track and developing its mission. For us, it is has always been most important to collect the histories of people who have gone digging for their own and are ready to share their findings with the world. We want to film and edit these videos in the highest quality, and offer the videos alongside supporting primary sources, secondary reading, and family histories. We want to create lesson plans that expand upon the important historical themes touched on in the videos. We want to preserve all this information, and keep it available for free to everyone.
Often our goals dovetail with the goals and stakes of others. For example, Fort Negley and the Friends of Fort Negley benefit from the project giving human faces and voices to a physical site. Vanderbilt University benefits from increased visibility and interaction with the wider community through my team and I. Some people have politically benefited from descendant voices being amplified in local politics, while others may have had their plans and aspirations thwarted by this same amplification.
To each of them, I would say the same thing: We are here to record, disseminate, and amplify the voices of a group of under-documented and under-heard people whose incredibly rich family histories have shaped our nation. Who do we work for? We work for history and its preservation. We work for a future in which everyone is equally heard, and in which everyone’s history holds equal value to this nation.
Nothing more, and nothing less.
How would you articulate the mission of your Digital Humanities project?